Those two made an impression on generations past, uames and future. Mr Coburn, the son of a Nebraska mechanic and schoolteacher, made more than films in a year-career, many of which type-cast him as a hardened brawler, although he claimed never to have been in a real fight in his life. Coburn had few lines, but he mqke the most of them, and established himself 1690 a brooding screen presence. He became a regular face in Sam Peckinpah westerns, including Pat Garrett and Billy the Kid, but his career sagged in the late s as the market for his brand of gruff masculinity declined. A messy divorce in from his first wife, Beverly Kelly, was followed mcuh the onset of severe rheumatoid arthritis, which at times left him unable to walk and left one hand permanently gnarled. After a decade under the shadow of the disease, Coburn claimed to have been cured by a dietary supplement pill based on sulphur. He returned to Hollywood in the s, white-haired and leonine, with cameo roles in unremarkable movies such as Young Guns II and The Nutty Professor.
He does little, unfolding himself like his own jackknife from post-cattle-drive repose to answer an unsought challenge to a duel, and shouldering his saddle to move on after winning effortlessly. He says less, just «You lost» and «Call it» — Coburn made the word laconic sound gabby. And yet he is the complete American samurai: «Acting,» he said decades later, «comes between the words — ego stops you telling the truth. Unsurprisingly, Coburn had seen the original Kurosawa film 15 times while studying acting with Stella Adler in New York. Surprisingly, he got the part he coveted, as the master swordsman, after meeting the already-cast Robert Vaughn in the street not long before shooting began. Coburn was persistent and available, unlike veteran character options. He had been around the muc a few times by. He came from a farm in Laurel, Nebraska, although the family moved to California during the depression. After studying drama at Los Angeles City College, he alternated between advancing on television as far as the leads in such unconventional and shortlived series as Klondike, and Acapulco bothand supporting in films, debuting in the Budd Boetticher western, Cbourn Lonesome. In the back-up role as an army scout, in Major Dundee — the start of his buddy relationship with director Sam Peckinpah — Coburn was the strongest presence in the picture. Film lexicographer David Thomson thought that his humour and easy sexiness dated him, made him seem simian, especially with that toothed smile.
Coburn was a bridge between cool, in the Sinatra swinger sense, and counter-culture cool in Theodore J Flicker’s jame satire, The President’s Analystdic was produced by Coburn’s company and became a critical success, prefiguring the Saturday Night Jame comedic sensibility. He missed out on the neurosis that powered post-Jack Nicholson actors, and on the impassivity of Clint Eastwood-style faces — in fact, he did a western for Sergio Leone, A Fistful Of Dyamiteplaying an Irish explosives expert, and laughing zestfully all the way. He was the right man for Peckinpah, for whom he did the most impressive work of his life as the sheriff in Pat Garrett And Billy The Kid Then, on the eastern front, he exhibited that ferocious grin, as the Wehrmacht corporal drawling «I hate all officers» in Cross Of Ironwhich he also co-scripted. The following year, Peckinpah trusted him sufficiently to let him direct the second unit on the roadie movie, Convoy. Coburn made the newer fellers look stiff and naff, but the post market was massive for naff. He was too late the hero. Most stars did not have to maintain the cash flow that he did, by playing the private detective in a television version of The Dain Curse — a ringer for its author Dashiell Hammett — or striding into the saloon bar in Schlitz Lite commercials.
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Lanky, charismatic and versatile actor with an amazing grin that put everyone at ease, James Coburn studied acting at UCLA, and then moved to New York to study under noted acting coach Stella Adler. After being noticed in several stage productions, Coburn appeared in a handful of minor westerns before being cast as the knife-throwing, quick-shooting Britt in the John Sturges mega-hit The Magnificent Seven Regular work now came thick and fast for Coburn, including appearing in Major Dundee , the first of several films he appeared in directed by Hollywood enfant terrible Sam Peckinpah. Coburn was then cast, and gave an especially fine performance as Lt. Commander Paul Cummings in Arthur Hiller’s The Americanization of Emily, where he demonstrated a flair for writer Paddy Chayefsky’s subtle, ironic comedy that would define his performances for the rest of his career. The next two years were a key period for Coburn, with his performances in the wonderful spy spoof Our Man Flint and the eerie Dead Heat on a Merry-Go-Round Coburn followed up in with a Flint sequel, In Like Flint , and the much underrated political satire The President’s Analyst The remainder of the s was rather uneventful for Coburn. However, he became associated with martial arts legend Bruce Lee and the two trained together, traveled extensively and even visited India scouting locations for a proposed film project, but Lee’s untimely death Coburn, along with Steve McQueen , was a pallbearer at Lee’s funeral put an end to that. Towards the end of the decade, however, Coburn was diagnosed with rheumatoid arthritis, which severely hampered his health and work output for many years. After conventional treatments failed, Coburn turned to a holistic therapist, and through a restructured diet program, made a definite improvement. By the s he was once again appearing regularly in both film and TV productions. No one was probably more surprised than Coburn himself when he was both nominated for, and then won, the Best Supporting Actor Award in for playing Nick Nolte ‘s abusive and alcoholic father in Affliction
Those two made an impression monsy generations past, present and future. Mr Coburn, the son of a Nebraska mechanic and schoolteacher, made more than films in a year-career, many of which type-cast him as a hardened brawler, although he claimed never to have been in a real fight in his life.
Coburn had few lines, but he made the most of them, and established himself as a brooding screen presence. He became a regular face in Sam Peckinpah westerns, including Pat Garrett and Billy the Kid, but his career sagged in the late s as the market for his brand of gruff masculinity declined. A messy divorce in from his hod wife, Beverly Kelly, was followed by the monet of severe rheumatoid arthritis, which at times left him unable to walk and left one hand permanently gnarled.
After a decade under the shadow of the disease, Coburn claimed to have been cured how much money did james coburn make in 1960 a dietary supplement pill based on sulphur. He returned to Hollywood in the s, white-haired and leonine, with cameo roles in unremarkable movies such as Young Guns II and The Nutty Professor.
But it was his portrayal of an abusive father in Affliction that turned out to be the biggest success of his career, winning him an Oscar for best supporting actor in James Coburn, the classic Hollywood tough-guy who fought his way back from crippling arthritis to win an Oscar in an extraordinary comeback performance, died of a heart attack yesterday in Los Angeles, aged He made money by doing voice-overs and appearing in Japanese television advertisements.
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He featured in more than 70 films, largely action roles, and made television appearances during a year career, [2] ultimately winning an Academy Award in for his supporting role as Glen Whitehouse in Affliction. Coburn provided the voice of Mr. Waternoose in the Pixar film Monsters, Inc. During the late s and early s, Coburn cultivated an image synonymous with «cool» [6] and, along with such contemporaries as Lee MarvinSteve McQueenand Charles Bronsonbecame one of the prominent «tough-guy» actors of his day.
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His father was of Scotch-Irish ancestry and his mother was an immigrant from Sweden. The elder Coburn had a garage business that was destroyed by the Great Depression. Inhe enlisted in the United States Armyin which he served as a truck driver and occasionally a disc jockey on an Army radio station in Texas. Coburn also narrated Army training films in MainzGermany. Coburn’s first professional job was a live television play for Sidney Lumet. He was selected for a Remington Products razor commercial in which he was able to shave off 11 days of beard growth in less than 60 seconds, [11] while joking that he had more teeth to show on camera than the other 12 candidates for the .
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